The 2020 album ‘Whereness’ featured Paul Cheneour (flutes), Ansuman Biswas (tabla, percussion, waterphone, strings & flutes), Maureen Wolloshin (oboe, cor anglais) and Alistair Zaldua (violin & electronics). This album inspired the artist/filmmaker Annie Catford to make 14 quirky, playful and celebratory short films that are shown here interwoven with live improvised music and poetry from Paul Cheneour.
The first half of this evening is the debut performance of pianist Sam Bailey with drummer Corrie Dick. Sam’s creative practice spans free improvisation, music for theatre, classical music and jazz alongside site-specific work such as the year-long Piano in the Woods project.
‘Bailey’s fondness for splicing busy clusters of notes into rhythmic spaces that seem too tight for them often drove the group to a cliffhanging intensity’ The Guardian
The Mercury nominated drummer/composer/bandleader Corrie Dick has been described as,
“the perfect drummer/percussionist… colouring each piece with precision, complex rhythms/techniques and visible enjoyment” (London Jazz News).
🔗
Whereness
Paul Cheneour website
Annie Catford Instagram
👂 Whereness on Spotify
👁 These words on YouTube
Alistair Zaldua is a composer, violinist and improviser. Alwynne Pritchard is a composer, vocalist, actor and writer. They began improvising together in Bergen while Alistair was at a residency at Alwynne’s music-theatre company Neither Nor. The restless invention and rapid musical reaction of Alistair’s amplified violin provides a counterpoint to Alwynne’s astonishing range of vocal techniques that can flit from playful to confrontational in a heartbeat.
‘a delivery between that of a rock-music diva and a verbal and physical contortionist’ (All About Jazz)
‘Pritchard explored a wide spectrum of vocal timbres through vowel shaping, varied vibrato speeds, tongue clicks, and vocal fry, all with incredible control of technique’
(I Care If You Listen)
Fresh from their London debut (at Iklectik), the quartet patternbook will play the opening set this evening. Maureen Wolloshin (oboe, cor anglais), Frances Knight (piano, accordion) Heledd Francis-Wright (flutes) and Nadia Tewfik-Bailey (violin) play improvised music with delicacy, poise and a generosity of listening.
🔗
Alistair Zaldua
Website
👂 Postcard #2 from album remote music
👂 Postcard #1 with Trio CZW (Canterbury)
BL!NDMAN percussion quartet (playing Maureen Wolloshin, Sophie Stone, Joe Inkpen, Jan Foote), Patternbook, Els Van Riel & Stevie Wishart, Magz Hall & the Free Range Orchestra
Canterbury is warmed from its midwinter chill by striking presentations and performances by local, national and international sound makers, focusing on the newest of new music and sound.
and dynamic artists from the across the EU, including the Blindman percussion quartet from Brussels. An event open to all with an interest in new music and sound.
3.30pm-6.30pm
Daphne Oram building
3.30pm onwards: Student films, sound works and installations.
5pm: CCU Student Electronic Performances
5.30pm-6.30pm: The annual Daphne Oram lecture, Dr Magz Hall (room DO 0.14)
7pm-8pm
Anselm Studio 1
BL!NDMAN Percussion Quartet premiere new works by
Maureen Wolloshin, Sophie Stone, Joe Inkpen and Jan Foote.
8.15pm-10pm
St Gregory's Centre for Music
8.15pm-8.35pm: patternbook; Maureen Wolloshin, Heledd Francis-Wright, Nadia Tewfik-Bailey and Frances Knight.
8.35pm-9.30pm: Els Van Riel live projection, Stevie Wishart (hurdy gurdy)
9.30pm: Free Range Orchestra
Free entry, booking essential (see below)
Email: artsandculture@canterbury.ac.uk
Tel: +44 (0) 1227 922994
A concert of two sets each led by distinctive composer/performers who co-run a new group called Free Women. Each Free Range season will include an event curated by Free Women.
Maureen Wolloshin & Khabat Abas
Anna Braithwaite with Phil Self & Samuel D Loveless
Anna Braithwaite, Maureen Wolloshin, Heledd Francis Wright, Nadia Louise Tewfik Bailey and Frances Knight
Composer, singer and performance artist, Anna Braithwaite, multi-instrumentalist Phil Self, and vocalist and trumpeter Samuel D. Loveless bring their project ‘Sirens of the Deep’ to Free Range. Originally conceived as a sight-specific performance on the deck of a Cold War submarine floating in the Medway, Sirens has been described as a ‘post-digital musical ritual designed to reconnect a fractured society’ and was a commission for the Electric Medway festival in August 2022.
Improviser, researcher and oboist, Maureen Wolloshin will be playing as a duo with the Kurdish-Iraqi cellist, improviser and composer, Khabat Abas.
The night will begin with a performance from a new, all women ensemble featuring Anna Braithwaite, Maureen Wolloshin, Heledd Francis Wright, Nadia Louise Tewfik Bailey and Frances Knight
About the musicians
Anna is a composer, singer and performance artist. She builds her unique, site-specific compositions in close dialogue with people and places, foregrounding the weird and theatrical concealed within the everyday.
She is a regular performer at Free Range, most recently as part of the Moonseed Collective (FR#220) and earlier, reacting to the Feminist Improvising Group’s recording from the album Another Evening at Logos 1974 79 81 with Sylvia Hallett and Gemma Storr (FR#169)
Khabat’s practice is based on sound and memory. It reflects on the socio-political, from a feminist perspective, in the war zone. Khabat builds cellos from different materials. These include a cello made from a bombshell found in her home city of Sulaymaniyah in Iraq. Alongside improvising and instrument-making her creative practice often incorporates sound installation and videography.
Maureen’s music extends the sonic range of the oboe and cor anglais. She recently commissioned a new instrument (from musician and inventor Henry Dagg) called the Gliss Anglais. Her compositions explore connections between graphic notation, touch, and sound and are presented as a sonic painting for the performer to navigate.
Phil divides his time between singing groups and community choirs, and regular gigging, composing and touring work with groups Yndi Halda, Will Varley, Molly’s Lips, Cocos Lovers and The Hellfire Orchestra. He is a member of The Montrose Composers Club.
Samuel is also a member of the Montrose Composers Club, as well as being a composer, vocalist, performance artist and trumpeter. His composition covers a range of genres challenging the traditional approach to composition, exploring the relationship between performer, space and audience, with accessibility and inclusivity being central to his work.
Links:
Black Top, the duo of multi-instrumentalist Orphy Robinson and pianist Pat Thomas, is a shape-shifting unit whose freely improvised performances combine twisted loops, samples and dub-effects, drawing on their Afro-Caribbean roots with a spontaneity and daring rooted in experimental free-jazz.
Returning to Free Range after their 2019 performance, they are joined by the gifted 24-year old saxophonist, flautist and composer, Xhosa Cole (BBC Young Jazz Musician of the Year 2018).
[Black Top’s latest album, Some Good News,] vibrates with wild energy from start to finish … But what really lifts this above the average is the unit's ability to switch seamlessly into diasporic pan-global grooves … This 21st century melting pot is brimming over with thrills. (Jazzwise)
Links
Black Top (live at Free Range 2019)
https://soundcloud.com/search?q=black%20top%20free%20range
Xhosa Cole
https://www.youtube.com/watch?v=d5S8zWkNJpQ
We are pleased to present the drummer Roger Turner improvising as duo with the guitarist Pascal Marzan.
Pascal Marzan plays a microtonal 10 string guitar. After studying classical guitar in Paris in the 70's and 80's, playing music by Luciano Berio and Tristan Murail, Pascal became interested in improvisation and the music of eastern Europe, Asia and Africa. He was particularly drawn to central Asian music from Uzbekistan, Tadjikistan, and Kyrghyztan.
The drummer Roger Turner has been described by The Wire as "one of the giants of free improvisation":
‘He has a virtuosity as astounding as it is inexplicably hilarious. i have rarely heard such an exquisite combination of volcanic power and finely- honed precision' (The Wire)
The opening set features the poet Kat Peddie reading from her own work alongside a collaboration with Walt Whitman, the Free Range Orchestra and the audience.
Pazcal Marzan duet with Phil Durrant (bandcamp)
Roger Turner with Chris Biscoe at FR#130
Kat Peddie conducting the Free Range Band for FR#166
turners-site.com
*The original line-up for this evening included Phil Minton, who was unable to play because of ill health.